"Duplicate set of galleys sent to me by Erskine and kept in my possession during the long process of editing. I work on these at home--in this case in Mexico and the Dominican Republic, too--and then take my set into Erskine's office, where my corrections are correlated with his. Then we hand both sets to Bert Krantz, who is responsible for bringing all corrections into line with our style sheets. She also identifies errors to be corrected in the narrative itself."